I gave a talk a couple of weeks ago that I'll share here - No Limits: How the Portfolio Career Expands Your Possibilities.
I also want to point out that if you don't know how to do a thing, there's almost certainly someone out there who DOES, and who can HELP you.
Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Canadian violinist Mary-Elizabeth Brown enjoys parallel careers as a performer, pedagogue, entrepreneur and researcher. In recent seasons, she has appeared as an invited soloist with orchestra more than forty times in Europe, Asia, North and South America, as well as numerous chamber music festivals. Her recording of the last 3 Mozart Violin Concerti for Mozart Effect recordings released worldwide in 2017.
In addition to a rich career as a soloist and concertmaster, she is a sought-after teacher, clinician, adjudicator and speaker in Canada and abroad. Since founding the AVIVA Virtual Young Artist Program (the first web-based pre-college music program in the world) she has touched lives around the world, teaching thousands of lessons to students on five continents via webcam, piloting projects aimed at accessibility, and training hundreds of teachers and creative entrepreneurs.
Mary-Elizabeth is widely recognized as a pioneer in the world of innovation in classical music and technology. She recently made international news from The Hong Kong Economic Times to NPR's Science Friday with her design for low-cost stringed instruments using 3D printers and plastic polymers.
I was wild about this conversation. I really appreciated Mary-Elizabeth’s wise take on the portfolio career, on keeping all of your various pots and streams managed, on how to cope with the messy middle parts of projects, and on how to keep growing as an artist and a human as you help others!
I know you will love hearing from her.
Find Mary-Elizabeth at her website, or at www.avivayoungartists.com, or www.printaviolin.com
Here are her upcoming programs:
LAUNCH! Is an 8-week, online streaming course on business basics and financial literacy that begins on March 27th. It’s a general overview of entrepreneurship skills and will give folks some starting points. There’s a private platform for peer feedback and discussion where I’ll certainly pop in and give my 2 cents worth! (But I won’t do any 1:1 coaching) You can find more info here: https://maryelizabethbrown.thinkific.com/courses/launch
To honour those who have expressed an interest in mentorship in recent months, I’ve made room to take on a handful of artist-teachers of any age, stage or location for a year of 1:1 and group mentoring specifically targeted at really developing the spectrum of entrepreneurial skills needed to run an effective and multifaceted creative career. We’ll start in mid-June and I’ll offer a hybrid program where we cover a different skill and topic each week through multimedia resources. In addition to those seminars, I’ll walk each step of the way with every mentee as we cycle through planning, alignment, implementation and assessment through a year of 1:1 coaching. You’ll find that one here: https://maryelizabethbrown.thinkific.com/courses/the-mentorship-year
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Or you could hop on a short call with me, Jennet, to brainstorm your next plan.
You can join my email list HERE, so you never miss an episode!
I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Ashley Killam (she/her) has built a multifaceted career as a passionate entrepreneur, non-profit director, freelancer, trumpet player, advocate, and researcher. Killam is the founder of AK Artist Management and is on a lifelong mission to create a more inclusive artistic space.
A champion for creating change within musical programming, Killam launched the first-ever open-source resource for trumpet and brass music by marginalized composers. Since the fall of 2019, she has presented in-person and virtually over 130 times, on topics ranging from building a library of inclusive repertoire to starting a non-profit, commissioning music, and creating a non-traditional career path.
Having found a love in all things organization, Killam created AK Artist Management as a way to use these outreach and marketing skills to build and promote the professional careers of musicians. Killam has worked with powerhouse soloists like trumpeter Mary Elizabeth Bowden, driven educators like hornist Amanda Collins, and groundbreaking chamber groups like Seraph Brass and Calypsus Brass, understanding the goals and needs of every individual and group. Her expertise ranges from booking performances and leading consortiums to website creation, building a brand, and PR work - Killam can do it all.
What inspired me so much about this conversation is Ashley’s can-do attitude, and her obvious love of the work she’s doing. She’s found a way she likes to work, things she likes doing, and has created a way to get paid doing them! This is the very essence of the portfolio career, right? It’s not giving up on music and defeatedly crawling into an arts admin space, it’s ADDING something she loves to something else she loves and making a career out of it. I really loved hearing her energy around both the DOING of her job and the LEARNING of her job. Being willing to not know but to try anyway, being able to trust yourself and your smart organized brain to figure it out - this is brilliant stuff and I know you will love this episode.
Find Ashley on her website, or follow her on facebook or instagram- @ashleykillam and @ak.artistmanagement.
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Recently I've started sharing little short stories and advices and ideas on social media each week. I think they might be enjoyable, and I hope they might be helpful!
This week: If you have a new idea, a project, an entrepreneurial spark? JUST START.
Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!
You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Today you’ll hear my interview with JooWan Kim, Composer/Artistic Director of Ensemble Mik Nawooj. You’re going to want to check this ensemble out at their website - I can’t tear myself away from their songs and videos.
Led by composer/pianist, JooWan Kim, Hip Hop Orchestra Ensemble Mik Nawooj (EMN) creates Metamusic by sampling principles of Hip-Hop and Classical. Executed with resident MCs, a lyric soprano, woodwinds, French horn, strings, piano, and drums, the music is rigorous, nuanced, accessible, and free from the dogmas of Western European concert music aesthetic. The result is seamless tête-à-tête with "textures swimming through the sound...like the world's fastest ping-pong game" (Pitchfork) and is considered the "cutting edge of hip-hop" (Huffington Post).
After a successful performance of a novelty piece which featured an MC and chamber ensemble while JooWan Kim was completing his master’s degree at the San Francisco Conservatory of Music, the MC at the time suggested they make an album together. Six months later and writing about an hour of music, Kim had a profound shift in the direction of his writing. He felt that he found a way out of the stifling contemporary concert music aesthetic in this new way of composition. JooWan crystallized his ideas into Method Sampling, a principle of borrowing or sampling of rationales from related as well as unrelated fields, then reframing them into one's own system.
In 2010, JooWan Kim recruited his best friend from college, Christopher Nicholas, to push the project forward in a serious way. Since then, EMN attracted some of the most excellent classical musicians and MCs in the SF Bay Area while gaining national attention from outlets such as ESPN, Wall Street Journal, Huffington Post, NPR, Pitchfork, Upworthy, NowThis, and more.
Follow JooWan and Ensemble Mik Nawooj at their website, Facebook, Twitter, and Instagram.
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Y'all, it's been ONE YEAR since I published my book!
I'm STILL the happiest musician.
Today I'm sharing a little bookiversary celebration and a reading from the introduction: The Party Game!
Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Adrian Gordon is an internationally performed composer and seasoned music educator. He is the author of the book Note to Self; A Music Director’s Guide for Transitioning to a New School and Building a Thriving Music Program. Adrian wrote Note to Self because though his undergraduate and graduate programs were musically and pedagogically extensive, he never felt as though they touched on those hard-to-navigate areas of transitioning between jobs. Note to Self was written as a bridge for music educators who find themselves in similar situations.
Adrian currently serves as the Director of Orchestras at Providence Day School in Charlotte, NC. He believes in the power of music education in a child’s life and understands the necessity of having passionate, confident, and supported music teachers at the helm, promoting great musical experiences for students.
In addition to teaching, Mr. Gordon is an in-demand conductor and clinician. He is also a composer with Alfred Music as well as the founder of Leap Year Music Publishing, which publishes string music for elementary, middle, and high school ensembles. His compositions appear on the Florida, Texas, Maryland, and Georgia Orchestra Association Music Performance Assessment Lists. His compositions are distributed through JW Pepper and have been performed throughout the world. He takes pride in creating music that is fun and pedagogically sound at all levels.
Adrian received his B.A. in music from the University of Miami, and his master’s degree in music education at Florida International University. Born and raised in Miami, Florida, he currently resides in Charlotte, North Carolina with his wife Kelly and their two sons.
Learn more at Adrian's website, Facebook, and Instagram.
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Recently I've started sharing little short stories and advice and ideas. I think they might be enjoyable, and I hope they might be helpful!
This week: It's a New Year! What does that mean for Crushing Classical?
Or: What it feels like to start a new thing and why you should too.
Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!
You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Have you ever wondered what it really takes to have a career as an internationally touring soloist? Have you wondered if it is too late for YOU to create such a career? You will love hearing from my guest today, Mary Elizabeth Bowden: International Trumpet Soloist
Classical Trumpeter Mary Elizabeth Bowden has built an in-demand career as a soloist, praised for her “splendid, brilliant” playing (Gramophone Magazine) and her “pure, refined, and warm” tone (American Record Guide). A Gold Medal Global Music Award Winner, Opus Klassik Nominee, and Yamaha Performing Artist, she has also worked to establish a new repertoire for the trumpet through creative, collaborative commissioning projects and award-winning albums.
Her current season includes no fewer than four world premiere concertos, including Clarice Assad’s new Concerto for Trumpet and Orchestra with the Chicago Youth Symphony Orchestra and Chamber Orchestra of the Triangle, Jennifer Jolley's Concerto for Brass Quintet with Seraph Brass and the U.S. Army "Pershing's Own", Reena Esmail's Rosa de Sal for Trumpet and Orchestra with the Chicago Youth Symphony Orchestra, and Tyson Davis's Veiled Light with the Chamber Orchestra of the Triangle, which will be performed alongside her husband, trumpeter David Dash. She is the founder and performer in multiple chamber groups, including Seraph Brass, Dash Duo, and Chrysalis Chamber Players.
In today’s interview, we talked about her recent projects, and the importance of expanding and building representation in trumpet and brass repertoire. Mary built her career from scratch, and I know I was inspired by her path to success, her honesty about the behind the scenes work of it, and her journey of increased confidence in her playing and her career. I know you will enjoy this interview!
Mary's upcoming schedule: https://www.maryelizabethbowden.com/events
Connect with Mary at her Website, Facebook, Instagram, TikTok, Twitter, or YouTube.
Recently I've started sharing little short stories and advices and ideas on social media each week. I think they might be enjoyable, and I hope they might be helpful!
This week: What does it mean to be a leader in the orchestra? What does it mean in life?
Curious about The Invincible Oboist?
Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Improvisation can feel frightening to classical musicians, but my guest, Laura Nerenberg, is working to normalize it as a pedagogical tool. She uses it with her own Suzuki violin students, and also teaches teachers how to incorporate it in their own studios. She's brilliant and I know you will love hearing her speak about this!
You can find Laura at her website or follow her on Facebook
Building a creative business? You need to check out the Ultimate Music Business Summit this January! I'll be presenting, and so will over two dozen other musicpreneurs!
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
David Krauss is the prodigious host of Speaking Soundly, Co-Founder of ANM (Artful Narratives Media), and Principal Trumpet of the Metropolitan Opera Orchestra. As a soloist, he has performed with the All-Star Orchestra on their Emmy Award-winning PBS broadcast and was praised by the American Record Guide for his "singing tone, which is luxurious and inviting." He has performed as guest Principal Trumpet with the Chicago Symphony Orchestra, Boston Symphony Orchestra, and New York Philharmonic, as well as recorded for film and television, and played on several Broadway shows. David is a highly sought-after instructor at the Juilliard School, Manhattan School of Music, Mannes School of Music, Aspen Music Festival and School, and other top conservatories and music festivals throughout the United States.
In this conversation, we started early in David’s story and explored the realities of life for a freelance musician - the ways the work comes and goes, the risks and the magic. We talked about the complicated and fulfilling life of a parent playing in a major opera orchestra.
And we talked about how podcasting - for both of us! - has been a portal into conversations with other artists. How David’’s fascination with the CRAFT of other high-level musicians and creatives is leading to inspiration for him and for his audience. I loved hearing him light up around his curiosity, his guests, and his experiences having these conversations.
I know you’ll love hearing his story.
Follow Speaking Soundly on apple, spotify, instagram, and facebook. Connect with David on Instagram, @DavidKrausstrumpet.
Building a creative business? You need to check out the Ultimate Music Business Summit this January! I'll be presenting, and so will over two dozen other musicpreneurs!
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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You can join my email list HERE, so you never miss an episode!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
"Sometimes, the cheapest way to pay is with money." I did not originate this quote, and a quick google does not illuminate it- but I USE this quote all the time, and talk about it in my business mastermind group and in my life FREQUENTLY. I wonder if it might be useful to you today, too!
Recently I've started sharing little short stories and advices and ideas on social media each week. I think they might be enjoyable, and I hope they might be helpful!
Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!
You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I'm your host, Jennet Ingle. I love you all. Stay safe out there!
My conversation with Eunbi Kim was absolutely fascinating.
We talked about mentorship and motherhood and artistry, all of which things feel so closely related.
There’s a myth out there about the self-centeredness of artists, about a certain kind of creator who reserves all of their best energy for their MUSIC, letting personal relationships fall by the wayside. I look at a work like Sunday in the Park - the Sondheim musical - which is all about an artist so selfish he ruins the chance of happiness for himself and for the people around him.
But in my conversation with Eunbi, we looked at what it means to have ACCEPTED mentoring and help, and to GIVE BACK by mentoring others. We considered the sacrifices our own mothers have made and what we have done and continue to do for our children. We looked at how it’s possible to be artists AND nurturing, loving humans.
"Creating performances expressing dreamlike “liquid elegance," pianist Eunbi Kim curates programs compelling audiences to meditate on the parts of themselves that are deeply buried. Her intimate performances draw from collaborations with composers, filmmakers, and theater directors to create experiences beyond the boundaries of the piano recital format.
Guided by personal experiences, her recently released album “It Feels Like” (which debuted at #2 on Billboard's Traditional Classical Charts) confronts the multiplicity of truths behind memories, language, and identity and includes world premiere recordings of new works by Daniel Bernard Roumain (DBR), Pauchi Sasaki, Angélica Negrón, and Sophia Jani. Last spring, she was an Artist-in-Residence at WNYC’s The Greene Space to work on a 4-night series inspired by the album that explores rituals of healing and disparate identities through music, performance, conversations, and food.
Kim holds a Master of Music degree from the Manhattan School of Music, where she also held a fellowship in the institution’s Center for Music Entrepreneurship. She currently serves on the Board of Trustees for New York Foundation for the Arts and is co-founder of bespoken, a mentorship program for women in music. "
Find Eunbi at her website, bespoken's website, or catch her socials @EunbiKimPiano and @letsbespoken.
Building a creative business? You need to check out the Ultimate Music Business Summit this January! I'll be presenting, and so will over two dozen other musicpreneurs!
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Recently I’ve started sharing little short stories and advices and ideas on social media each week. I think they might be enjoyable, and I hope they might be helpful!
This week: What do gloves, oboe reeds, and your own pet peeves have in common?
Answer: The more clearly you identify the problem, the easier it is to solve!
Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!
You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I’m your host, Jennet Ingle. I love you all. Stay safe out there!
Happy Thanksgiving 2022 to my listeners in the US! I am grateful for you.
On today’s episode you’ll hear my interview with my brother, singer songwriter James Hearne, who recently sold his house and left his job and moved across the country to go all in on his music career as an adult. This interview is full of gems for the working musician.
I want to admit here that James is not in a classical music niche, nor is he doing innovative entrepreneurial work that pushes the boundaries of what creatives can be in the world. BUT I share this conversation with you because I feel like there’s value in hearing about the hustle, and about the business side of creating the artistic life you want to lead.
You know from my book that I’m not interested in pushing musicians to make their living exclusively through their art. But I AM strongly on the side of creative people choosing the way they want to live and finding ways to make that happen for themselves, and that’s why I find James’s story so inspiring and I hope you will too.
Check out James and listen to his music at his website, his instagram, his twitter, his Patreon.
Building a creative business? You need to check out the Ultimate Music Business Summit this January! I'll be presenting, and so will over two dozen other musicpreneurs!
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Award winning pianist Donna Weng Friedman enjoys a varied career as a soloist, chamber musician, educator, curator, producer and app developer. Her album Heritage and Harmony: Silver Linings, featuring exclusively AAPI/BIPOC artists, aims to promote understanding and tolerance and combat racism, with all proceeds donated to an organization that supports the AAPI community and fights against racism. Recorded and released during the pandemic, the album was presented with two Silver Medals at the 2022 Global Music Awards.
In collaboration with WQXR, Donna created and produced Heritage and Harmony, a virtual concert series in celebration of Asian Pacific Heritage Month. As an American of Chinese descent, her work with Friends of Thirteen on Asian Americans of New York & New Jersey | WLIW21 - expanding the story-sharing website, highlighting first-person stories about the Asian American experience in our region- was not only meaningful to her, but to her family, friends and community as well.
She is the co-creator and co-host of HER/MUSIC;HER/STORY, a mini-series on WQXR as well as a concert series that shines a light on women composers, past and present. Donna was awarded a New York Women Composers grant for 2022. She was the guest speaker on TEDx Santa Barbara’s series Making Waves: Conversations with Influencers and Disruptors. Donna is the Artistic Advisor of Ariel Rivka Dance, an all-female dance company. Together they will share stories of heritage and harmony through music and dance.
In January and April 2021, Donna was the featured guest artist on the National Women’s History Museum’s series NWHM Presents: Sundays@Home, honoring women whose activism and talents serve to inspire others. On March 8th, 2022, she launched a new education program in collaboration with the National Women’s History Museum called Heritage and Harmony: Her Art, Her Voice, featuring leading female BIPOC role models in the arts who share their stories of heritage, their challenges and their triumphs, as they seek to inspire and empower future generations of groundbreaking young women.
Donna has performed in concert halls worldwide, and appeared as soloist with major symphony orchestras, including the Atlanta, Philadelphia and Shanghai Symphony Orchestras.
The curator of the Donna Weng Friedman '80 Master Class Series at Princeton University, she is also a member of Princeton University Music Department’s Advisory Council. Donna received a Bachelor of Arts degree from Princeton University where she was a University Scholar and a Master of Music Degree from the Juilliard School. She had the honor of studying with the great pedagogue Nadia Boulanger, as well as the incomparable pianist Radu Lupu.
She was the music supervisor and recording artist for the award-winning film documentary “Frames of Life” as well as for the documentaries “Living Liberty” and “Morris Engle: The Independent”. Ms. Weng Friedman created “The Music Bee Club” interactive classical music app series for children ages 2-8 featuring world class musicians, such as principal cellist of the NY Philharmonic Carter Brey and flutist Elizabeth Mann, produced by twentyone-time Grammy Award winner David Frost.
I really admire in her story the instinct to take action, the willingness to use her strengths to create change in the world. How can you imagine doing something similar?
Find Donna at her website, Facebook, Instagram, LinkedIn, and Twitter.
Building a creative business? You need to check out the Ultimate Music Business Summit this January! I'll be presenting, and so will over two dozen other musicpreneurs!
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Recently I've started sharing little short stories and advices and ideas on social media each week. I think they might be enjoyable, and I hope they might be helpful!
This week: What do running, the oboe, and online business have in common?
Answer: They're all easier if you allow them to be!
Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!
You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Bill Lueth is a San Francisco Radio Hall of Fame inductee and currently the president of KDFC and vice president of USC Radio Group. During his 30 year career in both public and commercial radio, Bill has left a meaningful impact on the classical music community.
We talk about
- How his passion for classical music led to three decades in the radio industry
- What the future of classical radio looks like
- What the institutions of classical music, including radio, need to be doing to move forward
- What it takes for a self-produced artist to get radio play
and more!
Take a look at what Classical California is about!
Building a creative business? You need to check out the Ultimate Music Business Summit this January! I'll be presenting, but so will over two dozen other musicpreneurs! Early bird pricing available through October 31.
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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You can join my email list HERE, so you never miss an episode!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
em2CONNECT is Emily Martin and Elizabeth McDonald. As ideators and performers, the two have sung and taught all over the world as solo opera singers and as members of the performing trio, Women on the Verge (WOV) — an international group of women dedicated to advocating for women- centered stories.
em2CONNECT is also a small creative facilitation practice made up of the high- energy and ideas-driven duo raising collaboration to “the power of two”.
em2CONNECT specializes in rebranding, repositioning, and promoting flexible thinking around artistic careers. Their work is centered on THE PROCESS - a collaborative support program where artists (re)define their artistic philosophy as a foundation for strategic career thinking.
I found Emily and Elizabeth's framework for helping artists to lead with their values so inspiring! This is also something that has helped me - the more I get in touch with my vision for the oboe community, for the musical community, for my own life, the clearer the action steps seem to become. See what sparks you get from this great conversation!
Follow em2CONNECT at their website or on instagram @_fromthevoiceof
Building a creative business? You need to check out the Ultimate Music Business Summit this January! I'll be presenting, but so will over two dozen other musicpreneurs! Early bird pricing available through October 31.
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Today you’ll hear my interview with Deb Stevenson: Oboist, teacher, musician contractor, and founding member of Rendezvous Arts. The organization she created hosts events that offer something for EVERYONE and is a triumph of win win for musicians, visual artists, and audiences alike.
Deb has had a career in music for 35 years. She has seen all sides of the music profession - from orchestra to Broadway shows and even playing with rock bands! She teaches at the high school and college level and contracts musicians for concerts. “I love to play the oboe, but even more than that - I love to create work for music and visual artists - and to make connections between these people and their audiences.”
It is not EASY to start up a new organization that has legs, that quickly gains support from everywhere. Deb makes it seem easy. Enjoy this episode, enjoy hearing the backstory - and listen for the GEMS of advice and magic that she shares!
Follow Rendezvous Arts at their gorgeous website, or email them at info@rendezvousarts.org.
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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You can join my email list HERE, so you never miss an episode!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Daisy Press was raised on the buses, planes, hotels, and stages of a large-scale international rock ’n’ roll tour, on which both her parents performed for over 40 years. Since then, she has become a ferocious and ardent interpreter and creator of experimental classical (and non-classical) music in the United States and Europe.
In the modern classical genre, Daisy regularly performs as a soloist with Vienna-based ensembles Klangforum Wien and Phace, and with them has sung the work of composers Bernard Lang, Martin Smolka, Rebecca Saunders, and Fausto Romitelli at the Wiener Konzerthaus and the Elbphilharmonie in Hamburg.
In the world of nightlife and pop music, for several years Daisy served as the lead backing singer/dancer for the band Chromeo. On Broadway, she originated the Horned Goddess role in The Devouring, where she sang her feminine-vibes arrangement of Nine Inch Nails’ “Closer” every night. At Brooklyn’s noted and notorious House of Yes, Daisy has served as singer-in-residence, and regularly collaborates with its truly astounding in-house aerialists, dancers, and circus performers, composing, improvising, and performing works which embody virtuosity, ecstasy, holiness, humor, and necessary stings of irreverence.
On her own, over the last 20 years, Daisy has become a specialist in the music of 12th-century mystic and polymath Hildegard of Bingen. Not a traditionalist, Press incorporates elements of North Indian (Hindustani) ragas into her unusual and extraordinary interpretations of the original Medieval chants.
In our conversation, we looked at the path of Daisy's creativity - from discovering Hildegard to releasing this stunning new album of her works. The non-linearity of the path stands out, as does Daisy's insistence on leaning into what feels good, what she WANTS to work on in the moment. What would it be like for YOU to make your creative and artistic choices in this way?
You can visit Daisy's website or follow her on Instagram.
The album is You Are the Flower - Music from Hildegard von Bingen - Vol. 1; from StorySound Records.
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
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I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Reach out to me to schedule a quick deep dive conversation so I can keep this podcast relevant!
Ellen is a Professional Certified Coach, who has coached everyone from CEOs of multimillion dollar companies, to world renowned singers, to healthcare workers, to aspiring business owners — but what unites them all is their thought leadership and creative entrepreneurship. She works with people who seek to write their own story of success and to shake up their industry along the way. Having sung on such famed stages as Carnegie Hall and Lincoln Center, as well as with opera companies in America and Europe, Ellen found fulfillment after becoming a coach because she realized how many “shoulds” she was living — instead of aligning with what she deeply desired. Having founded two multi-six-figure businesses, delved into original songwriting, created a bicoastal lifestyle in New York and Phoenix, and now begun a family with her husband Matt, Ellen models the courageous and unpredictable path of pursuing her dreams, while supporting her clients in doing the same.
Find out more at Ellen's website, follow her instagram at @ellen_broen and check out her new YouTube channel.
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I'm your host, Jennet Ingle. I love you all. Stay safe out there
Find out more at Heidi's website, instagram and Facebook @heidikaybegay. Follow her podcast on facebook and apple podcasts
The Pivoting Musician's Remote Class with Dr. Garrett Hope and Dr. Heidi Kay Begay Class Starts on September 01, 2022 Go to the website to enroll!
Thinking of trying FONS to streamline scheduling and payment for your music studio? Click HERE for my affiliate link and a free two week trial!
Theme music by DreamVance.
You can join my email list HERE, so you never miss an episode!
Or you could hop on a short call with me to brainstorm your next plan.
I'm your host, Jennet Ingle. I love you all. Stay safe out there
Asher began classical violin training at the tender age of 2 and had already performed with the Buffalo philharmonic by age 13.
Asher’s expertise in improvisation across multiple genres has led him to a career as a soloist in demand, performing at venues such as Madison Square Garden, Hammerstein Hall, Lincoln Center, the Carnegie Hall and across four continents. Asher has also been featured on PBS, and has made headlines on CNN, WABC, NBC, and the New York Post among many other major news sources. He has been booked to perform at special events for Google, Nickelodeon, TNT, National Geographic, Citigroup and a list of notables including George W. Bush, Ivana Trump and many others.
In 2014 Asher lived a musician’s nightmare when he lost the strength to play his violin for a number of years. Refusing to accept conventional advice he found a way to heal, building his strength to an unprecedented level. He used this experience as fuel to reinvent his live concerts as a high-energy contemporary violinist. In only a few months, Asher learned to merge popular tunes and breakdancing choreography into his performances.
Asher also uniquely performs as a DJ violinist bringing his experience as a live performer and technical prowess as an audio editing and mixing guru to countless clubs and stages.
Asher has been privileged to teach children and adolescents from under resourced neighborhoods in the Bronx for almost 4 years. This has fostered his drive to make a positive impact on others.
With a growing fan base, Asher is working to influence societal norms and conventional thinking about musical performance, helping to break down social and physical barriers for his fans and beyond.
If you are a classical musician who maybe leans a little bit more pop or electronic than your colleagues? If you are someone who is never quite satisfied JUST playing in the middle of the orchestra, but who also wants to CREATE your own sounds, your own compositions, your own stye of audience interaction?? I want you to listen to the way Asher has made a career around figuring out what people want, and how to give it to them in a way that is his very own. The money is all well and good, but he’s found ways to show up with his skills and talents and make music and sound and art that fits within his own artistic integrity and still SELLS. That’s really what we’re all looking for, right?